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Conrad A. Panganiban

Conrad A. Panganiban

playwright | conradap@gmail.com

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Month: September 2007

Scene Stream – Exercise

Posted on 09/29/2007 by Conrad

One of my goals for having this blog is to keep record of the exercises I do in order to become a better writer. So this is an intro of what I’m calling, a Scene Stream. It’s basically writing a scene, that’s timed, out of thin air without thought or any preconceived notion of where…

My Destination Ends at You

Posted on 09/28/2007 by Conrad

My Destination Ends at Youa Scene Stream exercise Character 1: Brian (Littrell – Jesus Loves You)Character 2: Nelly (Furtado – Say It Right) Situation: While driving to work one morning, (Brian) decides to pass the office and keep on driving. Time: 20 minutes (start: 11:34pm) NELLYBrian, what are you doing? You just missed the exit….

Remembering Fermin Tobera

Posted on 09/28/2007 by Conrad

I started doing research about the 1930 Watsonville riot that claimed the life of Fermin Tobera. A play is in there somewhere. The weird coinikidinky in this research is that the riot started at The Filipino Club in Palm Beach which is 7 miles SW of Watsonville, so that would make it near Moss Landing….

Garden Of Dreams – Staged Reading

Posted on 09/27/200711/06/2022 by Conrad

Well it’s over… for now. On Sunday, I had the first public reading of my play, GARDEN OF DREAMS. I was nervous as fuck, but i got through it okay. LESSONS LEARNED– LISTEN TO YOUR ACTORS – A concern was brought to attention by one of the actors. He was having some trouble getting out…

Six Degrees of Separation – Play Review

Posted on 09/26/2007 by Conrad

So I watched SIX DEGREES OF SEPARATION tonight at the SF Playhouse and I really liked it. It’s so weird now to watch a show from the playwright’s POV. Being from the “actors” world before in another life, I would always watch the performances and analyze how they do what – but now, I’m so…

Yankee Dawg You Die – Script Review

Posted on 09/22/2007 by Conrad

I just finished reading YANKEE DAWG YOU DIE by one of my teachers, Philip Kan Gotanda. Again, I’m inspired by it. For some reason, I always thought the play was something that it obviously is not. SYNOPSISBradley Yamashita is one of the new breed of Asian-American actors. Highly political and outspoken, he will only take…

Zoot Suit – Script Review

Posted on 09/21/2007 by Conrad

I just read ZOOT SUIT by Luis Valdez play and I LOVE IT! There’s just so many great things that I’ve learned from reading it. SYNOPSISIn Zoot Suit, Luis Valdez weaves a story involving the real-life events of the Sleepy Lagoon murder trial — when a group of young Mexican-Americans were wrongfully charged with murder…

How to write a 10-minute play

Posted on 09/17/2007 by Conrad

HOW TO WRITE A 10-MINUTE PLAYcopied and pasted from 10-Minute-Plays.com (http://www.10-minute-plays.com/index.html) TWELVE RULES FOR THE ASPIRING PLAYWRIGHT 1) NO EXPOSITION! Just jump into your story. This presents a puzzle for the audience to unravel and allows them to play with you. Remember—we are fascinated by the unknown! 2) EVERY DETAIL MUST RELATE TO THE ACTION…

Stories High Session 2 – Playwriting Notes

Posted on 09/16/2007 by Conrad

Here’s some general notes that I took for me from the latest class. – Beat:  – building blocks of theater/play/script  – each beat moves the story forward  – can be seen when different tactics or strategies are used to develop the protagonist’s Action (want) – If you have a block, look at the play’s Action, Conflict, and Event…

Where’s Your Brother?

Posted on 09/16/2007 by Conrad

Where’s Your Brotherby conrad panganiban Louise Parker – Mid 50’sBenny Parker – Late teens Setting: Night, The Parker living room, Rural Kansas, Present LOUISE and her teenage son, BENNY, are in their living room where BENNY is cutting his mother’s toenails. There’s an pizza box and a glass of wine on a table. LOUISEDon’t cut…

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Headshot of Conrad A. Panganiban

Conrad A. Panganiban (he/him/his) is an award-winning Filipino American playwright representing the San Francisco Bay Area. His plays include Daryo’s All-American Diner, Welga, and River’s Message. Conrad’s work has been produced by Bindlestiff Studio, The Chikahan Company, CIRCA Pintig (IL), the MaArte Theatre Collective, and CATS (Contemporary Asian Theatre Scene) . Awards include: Best Play of 2023, Daryo’s All-American Diner (BroadwayWorldAwards Chicago), Best New Play, Daryo’s All-American Diner (Chicago Reader, Best of 2023), Susan Fairbrook Playwright Fund Awardee (TheatreWorks Silicon Valley), 2023 New Voices in Comedy Writing Fellowship (Killing My Lobster), James Milton Highsmith Award Winner (SFSU), National Ten-Minute Play Festival Finalist (Actors Theatre of Louisville), and Bay Area Playwrights Festival Semi-Finalist (Playwrights Foundation). Resident Artist: Bindlestiff Studio. Member: Dramatist Guild of America, and Theatre Bay Area. MFA, San Francisco State University. @consplayspace

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