Skip to content
Conrad A. Panganiban

Conrad A. Panganiban

playwright | conradap@gmail.com

Menu
  • Home
  • Scripts
    • Full-Lengths
    • One-Acts
    • 10-Minute Plays
    • Sketches
    • Monologues
  • Resume
    • Credits
  • Journal
  • Videos
  • Press
  • NPX
  • About
    • About Conrad
    • Contact
    • Terms of Use
Menu

All in the Subtext

Posted on 09/05/2013 by Conrad
subtext
subtext

A play is a poem standing up. -Lorca

The first assignment for my Short Plays class was to write 3 one-minute plays. I’ve tried to do this before, but I don’t think it clicked for me until the quote above from Lorca resonated with me. The point of a one-minute is to create a story in one-minute, and I don’t think I would have been successful without being exposed to this quote and I think I will carry it in my writing from this point onward.

So, we all had our plays read, and I might say, that I’m so proud to be with the group of playwrights we have in our program. Side note: I’m not nervous anymore about having my work read, as I was before. Still processing this if this is a good thing or not. The cool thing about reading and hearing other writer’s work is getting a little insight into their process. I loved seeing plays in different formats, i.e. more than one page, plays written like a poem and hearing how the actor reads the spaces and line breaks, plays with multiple characters speaking at the same time (more than 2), experimenting with different actors reading random lines and see where it leads… which is how the play was written in the first place, hearing the voice of the playwright and what they gravitate towards, and all the other good stuff.

Getting back to Subtext: in such a limited amount of time, I like to use it to fill in more of the story beyond the time limit. Example: my first line of one of my plays: “C’mon, Bestie. We did this at last year’s retreat.” I’ve loaded the play with a relationship and an action that took place before at an event that some people will hopefully relate to–a retreat. One of my BIGGEST problems when I started writing was my use of exposition. I remember writing something loaded with so much information in the text, but would NEVER realize I did it until I heard it read (hence, one of my apprehensions about submitting anything without a reading first.). What I’m running towards is that I’m starting to use my flaw (and I have tons of them still. that’s why i’m going to school.) and have worked hard at getting better at not making my plays sound like a “wikipedia” entry. Actually, it’s to the point where, when I hear or read exposition in a play, I cringe. I’m just so attuned to it now. The drawback of that though is that I’m starting to criticize the entire work because of it. And that sucks, because what if the story is really good–good conflict, established inciting incident, know the needs of each of the characters, different voices, etc.–and I sabotage all of that just for the overuse of exposition? That’s not cool, Conrad.

But I digress, I’m starting to use my flaw as a writer to think more about how I can load information in as few words or in an action as possible. I think I’m a better writer for it as it forces me to dive into the heart of my story faster and hopefully more effectively.

My one-minute:
AN EXERCISE IN TRUST
Conrad A. Panganiban

MEL stands behind TONI. TONI has her arms crossed with a hand on each opposite shoulder. She has her eyes closed as MEL stands ready.

MEL
C’mon, Bestie. We did this at last year’s retreat.

TONI
I can’t believe you told her, Mel!

MEL
Can’t we talk about this later? Everybody’s watching us.

TONI
Is Amanda looking?

MEL
Of course she is. They all are! They’re waiting for you to fall first.

TONI
Not after you told her.

MEL
Toni, she was bound to figure it out.

TONI
Now, every time she asks me for a report or when she needs me to order post-its, she’s going to know that I’m drooling over her. I could’ve lost my job because of your big mouth!

MEL
It’s not that bad.

TONI
What’s bad was when you took her out to lunch.

MEL
It was so that I could ask her if she was interested.

TONI
In me or you?

MEL
In you!

TONI opens her eyes and drops her arms to face MEL.

TONI
Then why does her calendar say you have a date with her tomorrow night?!

TONI storms off.

THE END

(Process: I wrote this on my iPhone, emailed it to myself, and reformatted it to script format after pasting it Word.)

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)

Related

1 thought on “All in the Subtext”

  1. chasbelov says:
    09/08/2013 at 2:46 pm

    Good making the exposition a part of the argument. I like to do that as well.

Comments are closed.

  • Twitter
  • Instagram
  • YouTube
  • Tumblr
Headshot of Conrad A. Panganiban

Conrad A. Panganiban (he/him/his) is an award-winning Filipino American playwright representing the San Francisco Bay Area. His plays include Daryo’s All-American Diner, Welga, and River’s Message. Conrad’s work has been produced by Bindlestiff Studio, The Chikahan Company, CIRCA Pintig (IL), the MaArte Theatre Collective, and CATS (Contemporary Asian Theatre Scene) . Awards include: Best Play of 2023, Daryo’s All-American Diner (BroadwayWorldAwards Chicago), Best New Play, Daryo’s All-American Diner (Chicago Reader, Best of 2023), Susan Fairbrook Playwright Fund Awardee (TheatreWorks Silicon Valley), 2023 New Voices in Comedy Writing Fellowship (Killing My Lobster), James Milton Highsmith Award Winner (SFSU), National Ten-Minute Play Festival Finalist (Actors Theatre of Louisville), and Bay Area Playwrights Festival Semi-Finalist (Playwrights Foundation). Resident Artist: Bindlestiff Studio. Member: Dramatist Guild of America, and Theatre Bay Area. MFA, San Francisco State University. @consplayspace

Copyright Notice

Scripts on this website are copyright protected and may not be reproduced, distributed, disseminated, altered or performed without the author’s prior written permission. conradap@gmail.com

Creative Commons License
The work on conradpanganiban.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Pixabay.com

Some of the images used on this site, especially for the featured pictures, are from https://pixabay.com/

Archives

  • April 2025
  • March 2025
  • December 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • August 2022
  • May 2022
  • April 2022
  • January 2022
  • November 2021
  • June 2021
  • May 2021
  • March 2021
  • February 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • May 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • February 2019
  • March 2018
  • January 2018
  • October 2017
  • July 2017
  • June 2017
  • August 2016
  • June 2016
  • May 2016
  • April 2016
  • December 2015
  • November 2015
  • October 2015
  • August 2015
  • July 2015
  • June 2015
  • August 2014
  • June 2014
  • January 2014
  • December 2013
  • November 2013
  • September 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • December 2012
  • November 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • January 2011
  • December 2010
  • September 2010
  • August 2010
  • April 2009
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • March 2008
  • February 2008
  • January 2008
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • May 2007
  • March 2007
  • January 2007
  • December 2006
  • September 2005
  • May 1995
Mastodon
©2025 Conrad A. Panganiban | Built using WordPress and Responsive Blogily theme by Superb