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Conrad A. Panganiban

playwright | conradap@gmail.com

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Gabriella in the Hood

Posted on 09/09/2007 by Conrad

Gabriella in the Hood
by conrad panganiban

Mac G – early 20’s
Gabriella – mid 30’s

Setting: Sidewalk. East Oakland. Present.

GABRIELLA
What? You’re cutting out. I said that I’m in East Oakland. It’s near San Francisco. I’ll be fine. What? Research. This will be good. I swear. Hello? Hello?

MAC G
Nice phone.

GABRIELLA
Thanks.

MAC G
Looks expensive.

GABRIELLA
Not really.

MAC G
Give it to me.

GABRIELLA
What?

MAC G
I said give it to me and your bag!

GABRIELLA
Are you in a gang?

MAC G
What?

GABRIELLA
Are you in the 12th Street Crew?

MAC G
Bitch! I ain’t playin’! Does this look like a toy?

GABRIELLA
Crap. Hold up. Can you say that again?

MAC G
What?

GABRIELLA
Start off with ‘bitch’! I like how you said that.

MAC G
Fo realz, I ain’t playin’! Get that tape recorder out of my face.

GABRIELLA
Biatch!

MAC G
What you call me?

GABRIELLA
No. Can you say ‘Get that tape recorder out of my face.’ again? And add ‘Biatch’ to the end of that.

MAC G
What the fuck? Nobody says biatch.

GABRIELLA
What about ‘bizzle mah nizzle’?

MAC G
Just give me your shit! Damn, this bag’s heavy! What the fuck you got in here?

GABRIELLA
Just some books and paper.

MAC G
That’s it?

GABRIELLA
Yeah.

MAC G
Then give me that too.

GABRIELLA
You can take everything but this. I have all my notes recorded on this.

MAC G
Imma bust a cap in yo ass if you don’t give that to me!

GABRIELLA
Good stuff! ‘Bust a cap in your ass!’

MAC G
In YO ass!

GABRIELLA
Right. ‘In YO ass!’

MAC G
What the hell are you doin’?

GABRIELLA
Research. I’m writing a script about girl from the rich suburbs kidnapped by a gang and then chooses to become one of them to spite her over-protective parents. It’s going to be called, “Chloe in the Hood.” I haven’t had a script produced in a while, and I really need this story to work.

MAC G
What? That story’s hella wack!

GABRIELLA
Why? Because your gang wouldn’t kidnap anyone, right?

MAC G
Stupid cuz no one chooses to be in a gang.

GABRIELLA
But it’s to spite her parents.

MAC G
I’m just sayin’ that shit ain’t real.

GABRIELLA
Then what is?

MAC G
I’m warning you! Get that shit out of my face.

GABRIELLA
Research. I need to know what you know about the gritty life in the innercity.

MAC G
Told you this ain’t a game out here! Shut that recorder off, before I permanently shut you off!

GABRIELLA
Oooo… that’s good! What’s your name?

MAC G
Fuck it! You’re pissing me off.

GABRIELLA
Hey! Where are you going with my stuff?

MAC G
You wanted life in the innercity? Think of me as Ashton Kutcher of the hood. You just got JACK’D!

GABRIELLA
I need your name for the movie.

MAC G
Movie?

GABRIELLA
I might not give a shit about my things, but I believe in being fair. Do you want to help me out?

MAC G
With the movie thang?

GABRIELLA
I need to fly out to L.A. in a couple of days to show my boss what I got, but I can’t leave without a story – a Real story. And I don’t think I can do that without your help. So, are you interested?

MAC G
Marcus Gardley, but everyone calls me Mac G.

GABRIELLA
Gabriella Montez.

MAC G
Hold up? Like in Gabriella Montez from High School Musical? I meant, yeah, fuck. My little sister watches that shit.

GABRIELLA
Yeah… I get that all the time. My ex-boyfriend wrote the screenplay. And his name is Troy.

MAC G
No shit. Like Troy Bolton and the Wildcats?

GABRIELLA
Nice to know you like that kind of stuff.

MAC G
Yo… I said my little sister watches that. I just happen to catch it when I’m babysitting her.

GABRIELLA
So, do we have a deal?

MAC G
Will I get paid?

GABRIELLA
As a consultant.

MAC G
Fuck yeah, I’m interested! I mean. Yeah. S’all good.

GABRIELLA
Great! Thanks. Take my card from my bag.

MAC G
Oh shit. Sorry. Here’s your shit back.

GABRIELLA
As I said, take this card and call me tomorrow and we’ll make this story… real.

MAC G
Coo… I mean, Thanks!

GABRIELLA
Fo sho.

THE END

NOTE: This is written as an exercise for my Playwriting Workshop. The workshop is offered through Bindlestiff Studio in San Francisco for their Stories High Program. The assignment: Write a scene with two characters. Character A wants something tangible from character B, and character B wants something intangible from character A.

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Conrad A. Panganiban Headshot

Conrad A. Panganiban (he/him/his) is an award-winning Filipino American playwright representing the San Francisco Bay Area. His plays include Daryo’s All-American Diner, Welga, and River’s Message. Conrad’s work has been produced by Bindlestiff Studio, The Chikahan Company, CIRCA Pintig (IL), the MaArte Theatre Collective, and CATS (Contemporary Asian Theatre Scene) . Awards include: Best Play of 2023, Daryo’s All-American Diner (BroadwayWorldAwards Chicago), Best New Play, Daryo’s All-American Diner (Chicago Reader, Best of 2023), Susan Fairbrook Playwright Fund Awardee (TheatreWorks Silicon Valley), 2023 New Voices in Comedy Writing Fellowship (Killing My Lobster), James Milton Highsmith Award Winner (SFSU), National Ten-Minute Play Festival Finalist (Actors Theatre of Louisville), and Bay Area Playwrights Festival Semi-Finalist (Playwrights Foundation). Resident Artist: Bindlestiff Studio. Member: Dramatist Guild of America, and Theatre Bay Area. MFA, San Francisco State University. @consplayspace

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Scripts on this website are copyright protected and may not be reproduced, distributed, disseminated, altered or performed without the author’s prior written permission. conradap@gmail.com

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