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Conrad A. Panganiban

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playwright | conradap@gmail.com

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bang bang clap cast image

Bang Bang Clap

Posted on 06/30/201905/04/2024 by Conrad

Download the script (PDF)

BANG BANG CLAP
A Comedy Sketched into Two Banging Bamboo Poles
by conrad a. panganiban

Characters:
A: A Pin@y of any gender of any age
DOC: A Therapist of any gender of any age

A is sitting down while DOC is standing with a pad and paper.

A: Doc! Ya gotta help me! The sounds are back! I can’t eat. Can’t sleep. I can’t even focus on my work!

DOC: And what is it you do again?

A: Television. It’s pilot season and I can’t afford to lose more time.

DOC: Oh, so you’re an actor.

A: No. A writer.

DOC: Ooo… how exciting! I’d love to have that power to create my own characters.

A: It would be if you only can make this stop!

DOC: Of course, uhhhh… how long did you say it has been going for?

A: Ever since I got back from the Festival downtown.

DOC: Cherry Blossom?

A: No thanks. I’m not thirsty.

DOC: Gay pride?

A: I wish I were that happy.

DOC: Carnaval?

A: That’s where the thong booty dancers dance, ain’t it?

DOC: Like the top view of two bread loaves bouncing up and down like Jiffy Pop Popcorn.

A: But what does that have to do with me going to the Filipino Festival?

DOC: Because that’s where you first heard that constant banging?

A: Yes. At the Filipino Festival.

DOC: The banging in your head.

A: Yes. Make it go away!

DOC: Can you describe the sound?

A: It’s like a Bang and then another Bang.

(DOC pantomimes shooting a gun.)

DOC: Like a gun going off. And then going off again?

A: No.

DOC: Like stripper letting down a cup one at a time?

(DOC pantomimes taking two cups off from the crotch area.)

A: Not quite, but close.

DOC: Like the sound you hear when you do this? (Pelvic thrust) BANG! (Pelvic thrust) BANG!

A: I don’t do that.

DOC: What about when I do it? (Pelvic thrust) BANG! (Pelvic thrust) BANG!

A: I heard it that time. But not the kind of banging that’s going on in here! (Points to own head.)

DOC: Like two bamboo poles hitting a floor.

A: You hear it too?

DOC: No. I still hear the pelvic thrusts. (Pelvic thrust) BANG! (Pelvic thrust) BANG!

(Sound Effect: Tinikling Bamboo claps barely heard in the background.)

(A points to the air above them.)

A: There! There! Did you hear that?

DOC: I only hear Rick Astley’s Never Gonna Give You Up when I look into the air like that.

(Sound Effect: Tinikling Bamboo claps are louder now.)

A: Bang bang clap. Bang bang clap! You have to hear it now!

DOC: Hmmmm…. Interesting. Is it getting louder?

A: Yes! You do hear it!

(Enter Tinikling dancers doing a routine without the clappers.)

DOC: Now do you see dancers moving to the Bang Bang Clap?

A: I see them! I see them! They’re dancing all around us.

DOC: Oh, they are performing the Tinikling.

A: No, they’re not peeing.

DOC: I said Tinkling.

A: They’re on a grassy knoll eating?

DOC: Not picnicking!

A: They’re doing a traditional Filipino dance called the Tinikling.

DOC: Oh, Tinikiling. It looks like jump rope with sticks.

A: Doing a dangerous Running Man.

DOC: Making wine without the grapes.

A: Getting white people to stop, smile, and say, “Oooo. It’s the Filipino Stick Dance!”

DOC: And then they say, “Oh my God, they’re gonna get their feet caught!”

A: And then they say, “That looks fun, but I hope they don’t ask me to try it, but they will because I’m white and I’m smiling. Don’t smile. Must resist the smile. Gee, shucks I can’t. Crap they asked me to volunteer. Do I have to take off my shoes? My feet stink.”

DOC: That’s it!

(Tinkiling Dancers immediately stop and exit.)

A: That’s what?!

DOC: Why you’ve been hearing the clapping and the banging!

A: Why am I why?!

DOC: Have you ever danced the Tinkling?

A: Never.

DOC: Why not?

A: Because I’m scared of getting my feet caught in the bamboo!

DOC: Nope.

A: Because I know I’ll turn into a Tinkling bird, get caught, and get turned into adobo?

DOC: Almost.

A: Because of the internal guilt I’ve always had by only writing characters who are either Hawaiian, Mexican, Chinese, or adopted African!?

DOC: Adopted African?

A: It’s the new Hollywood thing. That or being Cambodian.

DOC: You didn’t mention Filipino.

(Sound Effect: Tinkling claps get louder and louder)

A: It’s back.

DOC: You didn’t mention writing a Filipino character!

A: When was the last time you saw a Filipino on TV?

DOC: Lou Diamond Philips.

A: Mexican.

DOC: Dante Basco.

A: A Lost Boy. Rufio!!!!

DOC: Prince.

A: A non descript symbol.

DOC: But couldn’t you change that?

(Sound Effect: Tinkling claps get louder and louder)

A: Not if you want to make it… make it stop?! It’s getting louder!

DOC: Reverse your guilt! Write a Filipino character!

A: I can’t. Ahhh…. It’s too loud… in my head…. no one will listen to me! They only want to hear Kung-fu action assassin… or Cartel hitmen… or fucking Tyler Perry!

DOC: You can change that!

A: Those are the only voices TV wants to hear! Those are the only voices America wants to hear! AND THIS BANG BANG CLAP IS DRIVING ME CRAZY!!!

(DOC pulls out a remote control, points it at A, and presses a button causing the Tinkling claps to stop.)

A: It’s gone. IT’S GONE!!! (Laughs hysterically.) What did you do?

DOC: (Showing A the Remote Control) Mute. Turn off the other voices. Write your own.

A: My… my own voice?

DOC: Not like a judge who turns their big red chair around.

A: My voice?

DOC: But the voice you hear in your heart. In your soul.

A: My voice.

DOC: Your voice. Your culture. Your History. You.

END OF SKETCH

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Headshot of Conrad A. Panganiban

Conrad A. Panganiban (he/him/his) is an award-winning Filipino American playwright representing the San Francisco Bay Area. His plays include Daryo’s All-American Diner, Welga, and River’s Message. Conrad’s work has been produced by Bindlestiff Studio, The Chikahan Company, CIRCA Pintig (IL), the MaArte Theatre Collective, and CATS (Contemporary Asian Theatre Scene) . Awards include: Best Play of 2023, Daryo’s All-American Diner (BroadwayWorldAwards Chicago), Best New Play, Daryo’s All-American Diner (Chicago Reader, Best of 2023), Susan Fairbrook Playwright Fund Awardee (TheatreWorks Silicon Valley), 2023 New Voices in Comedy Writing Fellowship (Killing My Lobster), James Milton Highsmith Award Winner (SFSU), National Ten-Minute Play Festival Finalist (Actors Theatre of Louisville), and Bay Area Playwrights Festival Semi-Finalist (Playwrights Foundation). Resident Artist: Bindlestiff Studio. Member: Dramatist Guild of America, and Theatre Bay Area. MFA, San Francisco State University. @consplayspace

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Scripts on this website are copyright protected and may not be reproduced, distributed, disseminated, altered or performed without the author’s prior written permission. conradap@gmail.com

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The work on conradpanganiban.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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