Skip to content
Conrad A. Panganiban

Conrad A. Panganiban

playwright | conradap@gmail.com

Menu
  • Home
  • WELGA, The Book
  • Scripts
    • Full-Lengths
    • One-Acts
    • 10-Minute Plays
    • Sketches
    • Monologues
  • Resume
    • Credits
  • Journal
  • Videos
  • Press
  • About
    • About Conrad
    • Contact
    • Terms of Use
Menu
passports

We’re Not Done

Posted on 03/07/202603/07/2026 by Conrad

Image by PublicDomainPictures from Pixabay

Download the Script (PDF)

Listen to the play:

We’re Not Done
A 10-Minute Systemic Tragedy
by Conrad A. Panganiban

CAST OF CHARACTERS
Alexandra Perez: 32-year-old Filipino American. Female. A pediatric cardiac perfusionist working at St. Louis Children’s Hospital.
Susan O’Brien: 26-year-old. Female. Caucasian. Special Agent for the Homeland Security Investigations Unit under ICE.
P.A. Announcer: Non-seen role. The voice of an overhead Public Announcement Speaker typically heard during emergencies in a hospital.

Casting Note: Please ensure that the opportunity to play the character of Alexandra Perez is by a Filipino American, Latinx American, Asian American or an actor of color.

SETTING
Inside a Hospital Administrator’s Office at St. Louis Children’s Hospital with a round table between two chairs (which may or may not ever be sat in). The time is now.

Lights up in a hospital administrator’s room. Inside the room stands ALEXANDRA PEREZ, a 32-year-old Filipino American pediatric cardiac perfusionist dressed in hospital scrubs. Opposite her is SUSAN O’BRIEN, a 26-year-old, Special Agent for Homeland Security Investigations (under ICE) in business attire with a badge on her belt while holding Alexandra’s passport.

Between them is a round table with various documents, I.D. cards, and a cellphone on it.

ALEXANDRA
You can’t deport me when you’re the one holding my passport.

SUSAN
How would I know that this is even yours?

ALEXANDRA
Because that’s my face on it.

ALEXANDRA scowls at Susan.

SUSAN
(looking at the passport)
This face isn’t as mean looking. But, my job’s to verify your identity first.

ALEXANDRA
Then you should be looking at the judge’s court order saying that it is me. It’s right there.

ALEXANDRA reaches for a paper, which SUSAN stops.

SUSAN
I got it.
(Susan picks up the document and compares it to her iPad.)
I’m not seeing this in the DHS Database.

ALEXANDRA
Even though you’re holding it in your hands.

SUSAN
Don’t get smart with me.

ALEXANDRA
Honestly, what are you going to believe? Something staring right at you or what’s in a computer system thousands of miles away.

SUSAN
If it’s not in the system, then we’re not able to verify its validity.

ALEXANDRA
How about me? Can you verify that it’s me talking to you? If you can’t see me, then please check out the verified letter from the Social Security Administration, which is next to the verified Police Report which is next to the verified Identity Theft Report.

SUSAN
It’s a little suspicious that you’d have all of these documents ready.

ALEXANDRA
I’m brown. I’m expected to be ready.

SUSAN
What’s that supposed to mean?

ALEXANDRA
It means the same reason why you’re asking for my papers even though I was born here.

SUSAN
I’m just doing my job.

ALEXANDRA’s pager starts to beep. She looks at it.

ALEXANDRA
And I have to do mine. Now, if you don’t mind.

ALEXANDRA tries to exit past Susan.

SUSAN blocks her.

SUSAN
I’m sorry, we’re not done here yet.

ALEXANDRA
Are you sorry or are you detaining me?

SUSAN
Not detaining. I’m questioning you.

ALEXANDRA
And I’ve already answered all your questions. My documents are all here: my passport, my licenses, my birth certificate–

SUSAN
Why does your nursing license say it’s from Illinois?

ALEXANDRA
Because I was a nurse in Chicago where I got my Masters from Rush University, which you’ll see a copy of that right there, before working as a Pediatric Cardiac Perfusionist here.

SUSAN
St. Louis Children’s Hospital requires you to have your CCP Accreditation for this state too.

ALEXANDRA moves her hospital badge on the table to point to another card.

ALEXANDRA
It’s right there! Is that in your database, too?

SUSAN
It is, but our system also says that you lived in Austin, Minnesota from 2018 through 2022. The same time frame that you claim to be living in Chicago. Does Hormel Foods sound familiar to you?

ALEXANDRA
Other than they make my dad’s favorite corned beef, it also the place where the person who stole my identity worked at. If you just look at the Social Security letter–

SUSAN’s messaging notification rings from her phone.

SUSAN
Excuse me.

ALEXANDRA
Why don’t you take care of that and I’ll be back–

ALEXANDRA starts to move out the door again.

SUSAN
Not until you’ve proved that you are who you say you are.

SUSAN looks at her phone, presses a button, and places the phone in her pocket.

ALEXANDRA
Everything in front of you proves it!

SUSAN
Can you prove who Ruben Perez is?

ALEXANDRA
If he was here, he would prove it himself.

SUSAN
(reading her iPad)
Our database says that he was deported in 2016.

ALEXANDRA
I’m sure it makes you so happy to break up families.

SUSAN
I’m just-

SUSAN
-doing my job.

ALEXANDRA
Doing your job.

ALEXANDRA
Is being heartless also a part of your job?

SUSAN
Having a heart has nothing to do with the Law. It’s about doing what’s right.

ALEXANDRA
And you have no right bringing up my dad or his situation.

SUSAN
It is, if you are also here illegally.

Alexandra’s pager goes off again. She looks at it.

ALEXANDRA
And legally, I am here to do my job and that’s to save children. If you’re going to arrest me, arrest me, but I have to go.

ALEXANDRA moves to exit. SUSAN blocks her.

SUSAN
I’m afraid I can’t let you leave.

ALEXANDRA
You’re preventing me from saving a life.

SUSAN
That’s not what I’m doing.

ALEXANDRA
Not allowing me to pass is exactly what you’re doing.

Susan’s mobile ringer goes off. She holds up her hand to Alexandra keeping her in place.

SUSAN
(answering her cellphone)
Hey, Jess. This isn’t a good time–
What? What about Emily?

Alexandra’s pager goes off again. She checks it and again begins to move where SUSAN stops her.

ALEXANDRA
I’m sure we can do this later, but I have to go!

SUSAN
Hold on! You’re not going anywhere!

ALEXANDRA
A LITTLE GIRL IS DYING!

SUSAN
How do I know that you’re not using her as an excuse to escape?

Hospital Chimes are heard on an Overhead Public Announcement (P.A.) Speaker.

P.A. ANNOUNCER
Alexandra Perez to Pediatric ICU STAT. Alexandra Perez, PICU STAT.

ALEXANDRA
Does that sound like an excuse?!

ALEXANDRA reaches for her phone on the table and starts to dial.

ALEXANDRA (CONT.)
(on phone)
Hey Maggie. It’s Alex. You need to get Stewart to Room 314. He’s the only one who can cover for me.

SUSAN
(on phone)
Hold on, Jess! What?–

ALEXANDRA
(on phone)
The ICE Agent’s not letting me leave–

SUSAN
(on phone)
What are you doing here?–

ALEXANDRA
(on phone)
I did tell her it’s an emergency! Just get Stewart and tell her mother that I’ll be there.–

SUSAN
(on phone)
Waiting for who? Who’s Alex?–

ALEXANDRA
(looking at Susan)
What do you need from me now?!

SUSAN
(looks at Alexandra, but listening to her phone)
Alexandra Perez is Emily’s ECMO Specialist?

ALEXANDRA
(looking at Susan while on phone)
Heart failure. Eight years old. So, you’re the famous Aunt Sue? The cop her mom tells Emily to be brave as?
(beat)
I promise, I’ll do everything I can to save her.

ALEXANDRA again starts to leave.

SUSAN hangs up her phone and blocks ALEXANDRA from leaving again.

SUSAN
We’re not done.

ALEXANDRA
Are you serious!?

SUSAN
I took an oath to protect this country. And part of that is by verifying your identity first.

ALEXANDRA
My identity? Or humanity?… You’re right, we’re not done.

ALEXANDRA with her phone still in hand, presses a couple of buttons and holds it up to herself before turning it to Susan.

ALEXANDRA (CONT.)
My name is Alexandra Perez. I’m a Pediatric Cardiac Perfusionist at St. Louis Children’s Hospital. And this is ICE Agent Susan O’Brien. She is keeping me from saving a patient’s life.

Hospital Chimes are heard on an Overhead Public Announcement (P.A.) Speaker.

P.A. ANNOUNCER
Alexandra Perez to Pediatric ICU STAT. Alexandra Perez, PICU STAT.

ALEXANDRA
Did you hear that? This isn’t a drill. This is what’s happening in America right now.

SUSAN
(SUSAN tries to grab Alexandra’s phone.)
Put that down.

ALEXANDRA
(ALEXANDRA steps back)
Or what? Are you going to shoot me too?

SUSAN
You are keeping me from doing my job.

ALEXANDRA
And you are preventing me from doing mine.

SUSAN
This is my last warning to stop recording me.

ALEXANDRA
This isn’t a recording. Say Hi to TikTok where…
(Alexandra looks at the phone screen)
Two… no, three thousand viewers are watching this injustice being carried out live. And based on these comments, they’re not very happy with you right now.

SUSAN
Fine. Go. You’re free to leave.

ALEXANDRA doesn’t move.

SUSAN (CONT.)
What are you waiting for?!

ALEXANDRA
No.

SUSAN
No?!

ALEXANDRA
How do I know that after I do my job, that I won’t get disappeared to the Saint Genevieve County Detention Center? Just like what you did to my father.

SUSAN
That wasn’t me and I won’t do that.

ALEXANDRA
Then clear my name first. There’s your iPad. There’s your DHS Database.

SUSAN
I don’t have the power to do that.

ALEXANDRA
You’ve made it very clear that your power to verify my citizenship trumps my power to save a life. So, use that power.

SUSAN
And that’s why I’m letting you leave.

ALEXANDRA
Then clear my name!

SUSAN
I can’t!

ALEXANDRA
Can’t… or won’t?

Alexandra’s pager goes off.

Susan’s phone ringer goes off.

Both devices get louder and louder to morph into distressed calls and protests from various videos of cries for help by people getting detained.

Blackout.

END OF PLAY

Share this:

  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook

Related

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

 

This site uses Akismet to reduce spam. Learn how your comment data is processed.

  • Twitter
  • Instagram
  • YouTube
  • Tumblr
Conrad A. Panganiban Headshot

Conrad A. Panganiban (he/him/his) is an award-winning Filipino American playwright representing the San Francisco Bay Area. His plays include Daryo’s All-American Diner, Welga, and River’s Message. Conrad’s work has been produced by Bindlestiff Studio, The Chikahan Company, CIRCA Pintig (IL), the MaArte Theatre Collective, and CATS (Contemporary Asian Theatre Scene) . Awards include: Best Play of 2023, Daryo’s All-American Diner (BroadwayWorldAwards Chicago), Best New Play, Daryo’s All-American Diner (Chicago Reader, Best of 2023), Susan Fairbrook Playwright Fund Awardee (TheatreWorks Silicon Valley), 2023 New Voices in Comedy Writing Fellowship (Killing My Lobster), James Milton Highsmith Award Winner (SFSU), National Ten-Minute Play Festival Finalist (Actors Theatre of Louisville), and Bay Area Playwrights Festival Semi-Finalist (Playwrights Foundation). Resident Artist: Bindlestiff Studio. Member: Dramatist Guild of America, and Theatre Bay Area. MFA, San Francisco State University. @consplayspace

Copyright Notice

Scripts on this website are copyright protected and may not be reproduced, distributed, disseminated, altered or performed without the author’s prior written permission. conradap@gmail.com

Creative Commons License
The work on conradpanganiban.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Pixabay.com

Some of the images used on this site, especially for the featured pictures, are from https://pixabay.com/

Archives

  • March 2026
  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • September 2025
  • July 2025
  • May 2025
  • March 2025
  • December 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • August 2022
  • May 2022
  • April 2022
  • January 2022
  • November 2021
  • June 2021
  • May 2021
  • March 2021
  • February 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • May 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • February 2019
  • March 2018
  • January 2018
  • October 2017
  • July 2017
  • June 2017
  • August 2016
  • June 2016
  • May 2016
  • April 2016
  • December 2015
  • November 2015
  • October 2015
  • August 2015
  • July 2015
  • June 2015
  • August 2014
  • June 2014
  • January 2014
  • December 2013
  • November 2013
  • September 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • December 2012
  • November 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • January 2011
  • December 2010
  • September 2010
  • August 2010
  • April 2009
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • March 2008
  • February 2008
  • January 2008
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • May 2007
  • March 2007
  • January 2007
  • December 2006
  • September 2005
  • May 1995
Mastodon
©2026 Conrad A. Panganiban | Built using WordPress and Responsive Blogily theme by Superb